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There's enough real evidence supporting the theory that Kubrick was a genius, and that's pretty entertaining all by itself.
It's about the human need for stuff to make sense - especially overpowering emotional experiences - and the tendency for some people to take that sense-making to extremes.
The results can range from enlightening - Kubrick did like to mess with things - to embarrassing. But it's never dull. "Room 237" shines.
You don't have to buy any of the nutty theories in Room 237 to appreciate what director Rodney Ascher has accomplished.
It's nuts, in the best possible way.
Their imaginings are not far removed from the deconstuctionist gobbledygook that has hammerlocked academic film and literary scholarship. But here at least the gobbledygook is entertaining.
Kubrick fans will take 'Shining' to 'Room 237.'
The credibility of these theories ranges from faintly plausible to frankly ridiculous, but Ascher isn't interested in judging them; his movie is more about the joys of deconstruction and the special kind of obsession that movies can inspire.
Some of the interpretations seem more of a stretch than others but all are entertainingly presented by director Rodney Ascher. (The movie) serves as a testament to Stanley Kubrick's cinematic mastery.
As fascinating as it is frustrating
It is nice to see a doc that makes you smile instead of making you angry. Anyone who is a fan of Stanley Kubrick will eat this up.
Powered by a deep and abiding affection for both The Shining and Kubrick in general, Room 237 is an amuse-bouche of remix culture.
Room 237 is an extended riff of the "Paul is dead" variety. But, you know what? Sometimes a guy moving a table in the background is just a guy moving a table in the background.
A diverting excursion for lovers of Kubrick's films...even if, at over a hundred minutes, it does go on a bit long.
A fascinating doc that will get both film geeks and conspiracy theorists alike drooling, it all but guarantees you'll never watch The Shining quite the same way again.
Confounding, eye-opening, and often hilarious.
I suspect that Ascher's intention was to dynamize an academic exercise, but these constant, sundry inserts render the tone as corny and glib as a VH1 special.
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Source: http://www.rottentomatoes.com/m/room_237_2012/
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